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Saturday, 22 March 2014 04:52

90's South Florida Rave Culture Returns

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Underlab Studios is excited to announce our latest project currently in production - The Scene: 90's South Florida Rave Culture.

 

2 Years ago on my way to Candyland, one of the longest running parties in South Florida put together by Culture, I discussed with my long time pal David James about doing a documentary about the 90's rave scene we were both a part of. It turns out during the time David James had filmed notable parties such as Zen 96' and The 1st Ultra Music Festival.

 

When I got his footage and looked at it, I felt as if I was teleported to a period of time I thought was long lost. It was my Woodstock. It was my Studio 54. It was my Limelight. It was the time of my rebellious youth when I was engulfed in the life of partying hard and listening to music so far ahead of it's time it took this particular decade of the 90's to catapult it into the mainstream gargantuan it is today.

 

What I liked the most is footage of respected members of the scene - DJ Eclipse who passed away a few years ago after a successful career in music production and MC Hi-Fi, a drum and bass star in the making taken away from us way too early. 

 

If you are a DJ, Performing Artist, Promoter, or True Old School Head with a story to tell about your experience during the 90's Rave Scene in South Florida, or if you have Photos, Video Footage you'd like to share please contact:

 

David James
Executive Producer of "The Scene"
Associate Producer, Entertainment Factory, LLC
O. (877) 600-FILM (3456)
C. (954) 839-5158
This email address is being protected from spambots. You need JavaScript enabled to view it.

 

INTERVIEWED THUS FAR:

DJ's / Performers: Scratch D (Dynamix II), Prizm, Johnny Dangerously, Hempey, Confusion, Bass Nacho, Justin Scott, DJ Trails, Audio Botz


Promoters: Jason Donovan (Zen Festival)


Party Goers: Lex One, Jodi Bass Monkey, Erika Kay, Sheri Bomb, Jay Bass, Lil Laz (Fever Crew), Yamin Pardo(rave encyclopedia)

 

DOWNLOAD PRESS RELEASE.

Unless you've done something productive with your life these past couple of weeks, you may have noticed the topic of racism blaring every facet of media available. Racism is like a cable TV show to Media, they'll give you 12 good episodes then you have to wait a year for the next season. That's a good thing too because shit like the energy crisis, financial crisis, war on terror, war on drugs, war on my muthafuckin' mind doesn't need to discussed at all. I like to think of the media as a sexy bartender who likes me drunk and tipping money in hopes of seeing her tits. I'd call her Miss Direction. Right now she is serving us all up a nice cocktail of North West, some Miley Cirus Twerkin' and should we be inclined to hate white people we can take a "Paula Dean Nigga Bomb", perhaps with a "Murdering Spic Zimmerman" as a chaser. Oooo. Tasty. Of course should hating black people be more of your brand you can have savory Rachel Jeantel. Yum. That's some good "Creepy Ass Cracka". All while differing opinions prompt people to point at each other screaming "Racist." It makes me wonder if words, which are ever evolving with the progression of our society, should define the true nature of our character, rather than how we actually treat each other when it really matters.

 

Let's think of some facts.

 

WE ARE ALL PREJUDICE.

 

 “Common sense is the collection of prejudices acquired by age eighteen.”
― Albert Einstein

 

What else does Science say about prejudice? Take a look at this video with Paul BloomProfessor of Psychology and Cognitive Science at Yale University.

 

 

It's evolutionary. Social animals bond with certain individuals within a group and even at that level can be aggressive. As primates we have the instinct to maim anything or anyone strange that is not familiar to us, simply out of our natural fear. Anarticle in Psychology Today states:

 

"...when male chimpanzees in Uganda encounter a male from another group, they slash his throat and rip his testicles off just in case he survives and has any future ambitions for reproduction."

 

So yea, there is a reason to be a bit prejudice, and it's not exclusive to race. Prejudice isn't married to race, because race knows you can't turn a hoe into a housewife.

If you still think we have no prejudices, just think about how the average person reacts to the homeless. Sure there is the occasional charity, but generally when we are not paying them to get drunk and kick each other's asses so douche bags can make a quick buck and notoriety ...

... we power walk right by them. Perhaps even let off the brake slightly so the car moves up past them off the highway exit.

 

Truth is our natural prejudices and stereotypical thinking have been manipulated since the beginning of civilization by Kings to keep power and wealth within their nepotistic aristocracy. Mental oppression is gained and maintained by centuries of slaughtering tribes, taking over nations, enslavement, and knowledge suppression. Withholding education to the lower class, creating difficulty in critical thinking, has kept the peasants at bay until they've had enough of the system and want their goddamn cake.

 

 

And you can take your fucking tea too. By The Way "Red Coats" was a derogatory term.

 

 

Today, our differences are often projected in media as something to be feared or mocked to continue to serve this purpose.

 

“We allow our ignorance to prevail upon us and make us think we can survive alone, alone in patches,alone in groups, alone in races, even alone in genders.” 
― Maya Angelou

 

WE LOVE STEREOTYPES

So we know unconsciously we hold prejudice, but consciously we also give in and perpetuate stereotypes. Which is completely normal as your brain likes to associate things with other things. It needs to place things into a category. It needs a base judgment to be ready for whatever event may occur should it encounter whatever and whoever. Without it, you may run into a wild wolf apt to play fetch with it. Maybe you make a friend, maybe you get you get your arm gnawed off.

 

If you're thinking "Bullshit, I'm not prejudice nor do I stereotype anyone. I have all sorts of friends of all races. My best friend is a ________________." Awesome. That must mean you, like most people got over your asshole primordial prejudice and judge individuals by their merit. Congrats. But let's not negate at times you may quickly give into stereotyping. Like when you are riding behind the Slug riding a turtle for a car in front of you going 20 mph on the highway, and as you pass them up you notice it's a Korean (like you can tell the difference) and say "I Knew it !"

 

 

And this analogy fits for the following groups of people: Haitians, Cubans (or any minortiy in Miami) and Old People. Are you then a cross burning racist or just having a momentary lapse of prejudicial douchbaggery? Or is this just plain funny?

 

 

It's a slippery slope, but its one we should just accept superficially, like astrology. It might not be too far off the truth, but If I were an employer how much of a dick would I be if I don't hire you because you were a Capricorn. I can even stereotype you by WHEN you were born. Seriously. WE LOVE TO STEREOTYPE. What we need is to be careful in making discriminatory decisions based on our false perceptions of individuals by attaching negative characteristics solely on race, religion, gender, age or sexuality. But I think its ok to keep it light. Stereotypes aren't all bad. I never seen a protest with a mob of angry black men demanding we stop giving them so much credence on the size of their ... uh ... member.

 

THE LISTENER GIVES WORDS VALUE

 

So Paula Dean got into some trouble for apparently using the word "nigger" when describing a man that robbed her at gun point to her husband about 2 decades ago . She openly admitted it during a lawsuit testimony. She was being sued by a WHITE Lady for using racial slurs which she overheard while working for Dean at her restaurant. Well she admitted it. We can at least give her some credit for honesty. What ensued following is a bitter/sweet hilarity as she was given a shovel to dig her hole deeper and deeper for America's hypocritical pleasure.

 

Because that is way more important news than this:

U.S.seeks to calm European outrage over alleged spying 
or this:
Florida Keys prepare for sea level rise 
or even this:
Student loan rates double without Congress' action


Here is a quick list TOP 5 Most Offensive American Epithets
(based on nothing by my own observation):

 

Retard - to make slow; delay the development or progress of (an action,process, etc.); hinder or impede.

Bitch- a female dog.

Fagot - a bundle of sticks, twigs, or branches bound together and usedas fuel, a fascine, a torch, etc.

Nigger - Origin Spanish:NEGRO (Black)

Cunt - the vulva or vagina.

 

I'd like to say, I rarely use those 5 words. In context, however, I do. Perhaps even as a youth, I've done it offensively, because I was immature :P. At least I never did this: 

 

 
God, Kramer makes me face palm every time I hear this. I still wait, patiently for the punchline.

The real question is who holds the power of these syllabic sounds purging a human of all dignity. The speaker or the listener? Answer: The Listener. It's up to them to allow words to alter their frame of being in a negative way.

 

Suppose two strangers got into a heated argument ridden with insults like "cockswashing sperm guzzler" or "hooked nose ass sniffer". It will probably take one of the taboo words to incite one of them to "knock a retard/bitch/fag/nigga/cunt out." Doesn't matter which derogatory adjective you choose you'd probably be talking about a fat white heterosexual male. Is it wrong to use these words? It does hurt people's feelings but why are these insulting degrading words any worse than any other insulting degrading words like "pussy ass fuck face?" I don't like my face fucked and last I checked I do not have a pussy in my ass. I don't see much of a distinction between it all. They are all aggressive words pronounced by the witless who can't come up with a clever zinger when faced with a mental opponent. In layman's terms "them fightin' words."

 

Now before you begin attaching human suffering to these words which once had alternate non-pejorative meanings just remember - You are not a label. One thing can't define the complexity of your individual experiences, compounded to form that which is your personality, into one word. So if someone calls you anything that you deem offensive, laugh in their face and call them a "sad ignorant little (wo)man" then say "I'm much more complicated than that". If they say it again, then punch him in the face. (just kidding, kinda)

 

If the intent isn't there to cause harm, then no one should give THAT much value to these words, but rather the actions of the individual using it. Education will play a big role in this matter.

 

Here are 2 of my favorite comics giving there insight on taboo words.

 

 

 

NIGGA PLEASE

 

 

Let me state this position clearly - when I hear a white guy say "nigger" when referring to a black person. I am repulsed. When I hear them use "nigga" within the context of endearment or just generalization of males of any race, it doesn't bother me so much. It has become part of pop culture thanks to songs like the one above of my favorite MC's DMX. Black culture is taking the word back to the root which has no malicious intent at all.

 

The word "nigger" spawned, in part, from the mispronouncing of the Portuguese or Spanish word "negro" which translates to "black". Some argue it stems even further back to the names of the countries or regions they were enslaved from like Nigeria, Niger River,etc., The word itself wasn't derogatory at all but descriptive in those days. It became derogatory when it became synonymous with a man's inferiority to another since almost the entire Caucasian world enjoyed the fruits of their Negroid slaves labor for about 3 whole centuries. Since the emancipation of black slaves the word has continued to fuel prejudice even until today.

 

What I find disturbing is the Quentin Tarantino got loads of shit from critics like Spike Lee for making a movie about slaves. Mind you, Lee refused to even watch the movie. His argument wasn't that the film didn't depict accurate realistic use of the word, but because it was used "too much". Yea dipshit. It was used way too much back then too. Tarantino was going for realism to remind us all how utterly disgusting and brutal slavery was, giving reasonable justification the protagonist Django needed to run around (spoiler alert) killing a lot of white folk.

 

 

Although there is still much work to be done, Sports entertainment, Hip Hop Music, Fashion, Celebrities, and Presidents have taken out much of the negative stigma off the "N"-word. A new generation of whites who grew up in black culture use it with endearment along with blacks who accept them. It's always been like that but, you rarely see it in media. At least not until this girl came around:

 

If you haven't heard of V-Nasty, then my deepest apologies for being the gateway to hell. She is part of a group of white girl rappers known as WHITE GIRL MOB. Their front woman being rapper Kreayshaun. A lot of what she said in the 2nd clip to me seems cartoonish-ly hilarious, but one good point she made was:

 

"How can you ACT a RACE? Is Obama acting WHITE?"

 

Rapper Talib Kweli responded to her use of the word by saying:

 

"... We can't be the word police. I use the word nigga, so who am I to tell someone they can't use a word. But then again, WHO AM I? I'm a black man who grew up in America ... I did't particularly like the clip.... The fact that she can be so bold to defend herself using the word tells me the people around her ain't doing their job... like even if you grew up using the word, you are a public figure now."

 

But really, who are WE to tell someone not to use a word, if they aren't consciously, intentionally using it to disrespect someone on a personal level. Especially someone who was raised in an environment where that language is acceptable by anyone. What life is in media doesn't always reflect the true nature of the environment we actually live in. A word can't be evil. Intentions can. It's not like a word can literally kill and eat a baby.

As an artist and writer, I feel we should be allowed to explore and use any word as we wish within context especially in humor. However what is NOT ok is to FEEL contempt towards another individual based simply on looks, or for what their socially archaic ancestors did.

 

It's your right, however, to feel and say what you want, as long as you know there will be social consequences and you are willing to stand firm when the tsunami of backlash comes to suck you up and drown you. There is a level of tact that one should abide by before feeling privileged enough to use these words. For example If you are a white teacher in a classroom full of black students who already hate you because - well you are goofy looking white dude - maybe you should think that over a second.

 
You think you are down? Cracka Please.

 

Warning: Bad Segue- Speaking of white derogatory terms ...

 

CREEPY ASS CRACKER

Do you think that when a white man is called a cracker he feigns his contempt? As if it doesn't affect him that much but likes to pretend it does. After all its rooted in the white man'ssuperiority, whipping the backs of hoards of Saharan Africans. Crackercomes from the thunderous sound the whip makes as it hits their flesh. CRACK! It does not come from a tasty saltine. Still when used by a person of color or ethnicity it does show a level of ignorance the same way by giving their imaginary oppressors an empowering name. By calling a white man a cracker, you're essentially calling yourself a .... well at this point in the article. I'm done saying it.

 

However I feel bad for Rachel Jeantel. Because she practically has become the justification for the slaying of a black boy who was a good friend of hers. None of this can be easy for her. What I find ironic is that her critics are from both white and black culture which both have a hand in the current presentation of her character. Is she ghetto? By ghetto do you mean a poor minority? Maybe. Does that make her less credible witness? I hope not. Again, words have different values determined by the Listener. The speakers intent often differs, as in this case. Treyvon wasn't trying to be racist. A bit of Prejudice but within the context of the phrase "Creepy Ass Cracker", what should standout more is "Creepy" because that was the intent. To describe a possible pervert who is following a young man for no reason. "Cracker", well seriously I am yet to meet a white man who takes that term very serious unless it's amp up his justification for thinking "nigger" in his mind or attitude. Even when hispanics call them "Gringo" I don't see hoardes of pissed off white men picketing Taco Bell. Because again it's just a word.

 

Now, if you are white and watch this clip and think "see, I told you!" - you may be a bigot.

There is no real evidence that these savages (and I say it not because they are black, but because the nature of the crime clearly defines them as just that) was induced over a hatred of whites. But let's just say it was.

 

Black prejudice on whites (and vice versa) is a problem that needs to resolved with education, not media sensationalism. Our current system perpetuates a "hatred" of White America to the black community, by reducing their education, thus diminishing opportunities to have a positive future. Hence creating a never-ending cluster fuck of whites and blacks wanting to hurt each other. Why do you think they've remade the same fucking movie about a WHITE Teacher coming to a shitty school which is ALWAYS predominantly attended by minorities failing? To assert to urban culture, that the white man is a savior. You want to know the irony? That same movie is nothing more of a re-hashing of Stand and Deliver. A Story of a Mexican teacher who helped poor minorities in their education. The film was based on a true story, but let's retell it over and over with some white faces best. Now Why do you also think that prisons have such segregation amongst themselves, and are encouraged to do so? Because thanks to the "War on Drugs" these are the products of our manufactured racism. Prisons are mostly private institutions that make money off of each inmate. A modern day slavery topic meant for another day.

 

These urban areas and our education are provided and maintained by government officials that divide budgets unequally. This OBVIOUS inequality is observed by minorities early on and without the right guidance and knowledge can cause racism from minorities. You know "reverse-racism" (such a stupid term) and in turn "Hate Crimes". Another stupid term. If a white man killed and raped an entire white family, I still would consider that a bit of a hate crime. Don't you think? Are there any Love Crimes other than the women that steal my heart ;). Hey Ladiiiiiiies.

 

I digress...

 

In the unfortunate Treyvon Martin case, I will try not to judge the actions of Zimmerman, because in this case i believe both men made bad decisions that have negatively shaped the lives of all who are directly involved and the spectators fixated on this having to be100% racially motivated. Zimmerman is neither villain nor hero. He is a guy who thought he would protect his community. He was armed as was his right. He followed up on a suspicious individual by calling for Law enforcement first to give a warning. He was approached, got his ass kicked by a 17 year old kid. What happened from that point is still up for the jury to decide. Was it because Treyvon was black? Well we are all prejudice in some aspect right? So most likely race played small part in the thought processes that lead him to determine that Treyvon was suspicious. It also could've been that he was  1) stranger in a neighborhood that's been robbed so much that they had to form a neighborhood watch and, 2) he was young. No one is pegged delinquents as quickly as young men of any race. Not saying what happened is not a tragedy and justice shouldn't be served because no matter what - bottomline is - Zimmerman is a GROWN ASS MAN. He should've known better ( I did try not to judge up until that point). So on that I put a blame on him, but is that enough to send him away? Not sure, but please put the race card back on the deck because we all have one.

 

DIVIDE AND CONQUER THROUGH MEDIA

Do You Know who tend to be less prejudice? Smart People. According to Psychology Today:

"Hodson and Busseri (2012) found in a correlational study that lower intelligence in childhood is predictive of greater racism in adulthood, with this effect being mediated (partially explained) through conservative ideology. They also found poor abstract reasoning skills were related to homophobic attitudes which was mediated through authoritarianism and low levels of intergroup contact."

 

That's right. Now I'd like to be fair and give notice to the fact that being smart is not always your minds capacity to intake more data than someone else. Being smart is about the willingness and desire to learn, analyze and logically form an opinion that is closest to fact, THEN questioning those facts and being open to changing your mind. That is real intelligence. The ability to let go at any moment ideals conditioned in you through misinformation, miseducation or group influence.

 

George Carlin said it best:

 

"They (the owners) don't want a population of citizens capable of critical thinking. They don't want well-informed, well-educated people capable of critical thinking. They are not interested in that ... They don't want people smart enough to sit around the kitchen table to figure out how badly they are getting fucked by a system that through them overboard 30 fucking years ago... You know what they want? Obedient workers."

 

Civil Rights issues are often times projected to the forefront of the Media Machine for 2 reasons. 1) Because they usually divide the already poorly educated, hypnotized saps by making issues with TONS of grey area into Black and White. Race, Religion, Gay Rights and Abortion are real popular. 2) Because of the varying ideals and stigmas attached to the topics, it fixates on labeling any opposing school of thought as evil. Even terms like "Conservative/Liberal", "Pro-Life/Pro-Choice, Left-Right" are meant to immediately divide you. You begin to label yourself something. Of course you wouldn't label yourself "evil" right? So you must be good. It is them. "Those people are evil because they are "Republicans/Democrats", Muslim/Jew/Chrisitan/Athiest", because of whatever historical event can be conjured up to PROVE those "people" are fucked up, man!" As if YOUR group are innocent and pure and love candy coated bubble gum and are kind to all furry little creatures. We are all equally good folks as well as equally FUCKED UP assholes.

 

Even the mere concept of Civil Rights pisses me off because "rights" are inherent. Bottom line WE as individual representatives of the HUMAN SPECIES are endowed with the right to resources to our survival. We are entitled to as SOVEREIGN BEINGS to do what we wish to our minds, and to our bodies. We are entitled to love who we want. We are entitled to be free to choose whatever course in life makes us happy, PROVIDED it does not impose on, or deplete any rights of, others to simply live. Unfortunately we are born into a system where rights seemed appointed and retracted, and hardly ever in a "civil" manner.

 

That's Divide and Conquer. While we are all busy pointing fingers and living in the past, the future and our freedoms are being ripped apart for the real God of the world MONEY! Oh that's right I said it. You think the inscription on the dollar bills and coins "In God We Trust" means we as a nation put faith in a deity who suposedly provided all of the things we need to survive, but then decided:

 

"You know what? That Free Water I gave you? Yea, Trust me, you are gonna have to pay for that, will that be Cash or Credit? Oh You need Shelter? Here, sign this Loan. Need some smarts kid? Join the Army, kill some japs, gooks and sand niggers and my favorite nation will pay for it all, if ya come back alive. Hell, it's 2013, if you are dude go ahead and bang another dude.. I wasn't keen on the idea before, but you know even I can evolve. Hmmm, you looking for Love? If you are man, get that money first, if you are lady you better go marry that fat fuck with the buku bucks. Ok, now I am going to go around collect my vig from the church. The 700 Club needs a new building. Shit is expensive. Give me cash or you'll burn in Hell. K. I love you. Toodles" - God

 

Not to get into conpiracy theories but you have to ask Why are there 6 Media conglomurates that pretty much feed us our daily load of bullshit? BECAUSE THE WORLD IS A BUSINESS!

 

"The World is a college of corporations, inexorably determined by the immutable bylaws of business. The World is a business"

 

Reminder: This film was made in 1978. Guess What? Shit has not changed. It probably never will.

 

And these are the corporations that control your information.

 

GE (Comcast, NBC, Universal)
NEWS-CORP (Fox, Wall Street Journal, New York Post)
DISNEY (ABC, ESPN, Miramax)
VIACOM (MTV, Nick Jr, BET)
TIME WARNER (CNN, TIME, Warner Bros)
CBS (Showtime, NFL.com.)

 

So next time you are sitting around your TV or however you are getting your unsubstantiated news like Jaimie Foxx starts talking shit about rioting in the streets (never happened), or your local Sheriffs office starts putting out PSA's that are premised on our natural fear of things that we understand (can't believe this happened). Do this. Make an attempt to OVERstand it. Be like that annoying 6 year old and ask WHY? Why is this being presented to me this way here, and this way there? What are the actual facts? What FACTS are being ommited. Take a bit of time before you join in the group mentality that takes any position that YOUR group is on the righteous side. Because like it or not, the assholes that placed people in gas chambers during the 2nd World War, did not do it because they simply "were following orders." No, they were made to believe through media propoganda, that what they were doing was the right thing to do. That's how powerful Media is. If you aren't careful you are certain to lose one of two things. Either your Life, or your very "Soul".

 

I leave you with this clip:

 

As I walk up to the so familiar door with a stenciled "1835" imprinted on its face, I felt a bit of sadness as if I was walking into a funeral. See, this would the last time this small warehouse turned recording studio would ever be called Reverse Polarity Studios. You may have heard of the name, or perhaps some of the names that have branched out from this conglomerate family tree such as: DJ Immortal, The 7D, Underlab Studios, Hip Hop Elements, Renda Writer, Nocternal Music and so many more. All of these people have called 1835 Mears Pkwy in Margate, "home" or "office" at some point during its life.
 
If these walls could talk, they would say nothing because Reverse don't snitch. They will simply say "Shit went down, and great music was made." 
 
I opened the door and was greeted by Flawless the MC as I walked right up to the middle of a blunt cipher and I just so happened to be NEXT. My timing is impeccable. Always. As we blazed, some still seemed in disbelief of this proverbial fork in the road. Was this DENIAL? Are we grieving? I pondered. 
 
I looked around to flashing memories vividly embodying me as if it were a quantum leap to the days I watched DJ Immortal giving private DJ lessons (a precursor to his now heavy involvement with SCRATCH ACADEMY) while I sat on the couch sketching my next painting. I thought of Jared Cole and his guitar. I thought of DJ Reakt who tagged his name on the now visible hard concrete floor. I thought of the now defunct Mother's Pub (next door to Reverse), where Browards - and sometimes Miamis - top MC's like Raw Filth and Surgeon General constantly battled it out. I thought all the music videos, and short films I created there. I thought of my office and how for months straight 4 young graphic designers and animators sat together diligently trying to conquer the world, while listening to Moon Doggie create beats we felt at the time were epic. I thought of that dream ending with Hurricane Wilma. I thought of PR and J.Dot who also had a studio next door and my favorite line he quoted: "9 to the 5 to the 4, J. Dot Packs more lines in your nose." I thought of the devious debauchery that went on that will never be spoken or heard of again. I thought of meeting Canibus, witnessing a hip hop icon making music with my high school pal DJ Immortal and another one of my closest friends Chopp Devize right here in this now dismantled warehouse. Overwhelmed with it all, I bummed a cigarette from Eileen - as I always do because I think I am technically saving her life by sacrificing my lungs for my buddy Paul Raimondo's girl. I am just a good friend that way.
 
I proceeded to make my rounds saying hello to the people there. DJ Trails who I can attest to being one of my best friends greeted me with much love and proceeded to talk to Immortal on some business venture. I touched the walls as if absorbing it's last field of energy. I felt as if it touched back.
 
Chopp D soon arrives followed by Hugh Hayes, and Bless of Nocternal Music. Now what do you think is going to happen when you have the likes of Flawless The MC, Pilot Rai, Hugh Hayes, Bless, and Chopp Devize with DJ Immortal on the ones and twos? Perhaps the greatest fucking freestyle cipher NEVER to be documented. A few photos and slight iphone clips sure but not to the level Underlab always took it. It's all good because we were all there to give our last respects to an end of an era like only real hip hop heads know how to do. It was more about living the moment. Each MC took turns murdering the mic like a pack of hip hop Devils Rejects. 
 
Yes, this was the last night at Reverse Polarity Studios, now Mars Auto Parts. It was glorious, but all good things unfortunately do come to an end, making room for greater things in our lives. When I spoke to Immortal, expressing my sadness he comforted me by saying that "this place had a great run. We are all headed towards a bigger direction this year. It's always for the best." 
Perhaps. No use in dwelling on it, because fact is this place did have a great run. Over 10 years recording many locals and some mainstream artists. Nothing can explain the symbiotic relationship between Reverse and Underlab other than Ying and Yang. Now it is only Yang (rhymes with wang, so I went with it). I now realize that Reverse was like a springboard which we all jumped and are now diving into unknown waters, fearless, head first, no life vest but trust in the universe that great things will happen as we remember the platform from which we came.
 
To my Reverse Family - DJ Immortal and the whole Faderballistix crew, Mordechai, Colossus, HD Goodman (Good Music Makers), Chopp Devize (7th Direction/7D), Urban Rose(7th Direction), Pilot Rai AKA John Paul James (7th Direction/7D), DJ Trails (Hip Hop Elements), Moon Doggie (Nocternal Music) , Hugh Hayes(Nocternal Music), Bless(Nocternal Music), SonDay(Nocternal Music), The other PR, JDot aka John Paul, Diego Becerra (Underlab Studios) Stone Smith (Underlab Studios/Nocternal Music) Dwayne Adams (Underlab Studios / WEMERGE), Renda Writer, Dawn Dubriel (Underlab Studios/Redawn TV), The Architect, Flawless the MC, Skarlit Rose, Shawn W, Vibe One, and Kevin Keogh - One Love. 
 
Fuck Paris, We will always have Reverse. 
Sunday, 17 April 2011 20:14

Music: Viva Le Vox

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A sound analogous with a creepy journey to the boonies of New Orleans amongst the rattlesnakes, witches and vampires are the chords that splinter the air this night.Front center is the mysterious man with the voice of a musical ringmaster, who here commands a circus of rockabilly apparitions. His name is Tony Bones and his ribs make his guitar. His even more enigmatic companions - Percussionist Antoine Dukes, a squeezebox playing creature known as Paultergeist and Thee Scarecrow Jenkins on a bullfiddle - collaborate to release a soul long lost since the death of hip swashing skinny Elvis. Along comes the beautiful Audrey Rose of Shameless Burlesque sinfully moving in synch to the conjuring music which invokes a spirit gone astray.

 

This is a typical evening with South Florida’s rockabilly sensation Viva Le Vox, who for the past year has been touring the SFL Coast in the fashion of spell casting gypsies luring us onlookers with their hypnotic sound. Their latest album Desperation Alley offers a great mix of roots rock delivered by an insane bunch of carnie types, reminiscent of Rob Zombie’s Devil’s Rejects. You can buy the album right now on ITunes, or you can actually experience this eccentric band for yourself this February 3rd and 6th at Miami’s Church Hill’s Pub 5501 NE 2nd Ave or at the Poor House - 110 SW 3rd Ave in Fort Lauderdale - on Feb 12th. The experience will be like a bottle of Southern Comfort, the 1st season of True Blood and someone sexy to enjoy it with.

Sunday, 17 April 2011 20:08

Music: The Shutter

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While attending Fort Lauderdale Art Institute, photography students, Kim Drake, Jaime “The Mex”, and Mike D. realized their mutual pursuits also extended into Music, and the triad fused a brilliant alliance. They ignited City Link's Beerfest two years in a row, represented FemmeFest at Tobacco Road, released their self-titled album at Radio-Active Records, received an outstanding concert review in Miami New Times from Auteur Explosion XI @ Cinema Paradiso, and continue to bang out creative melodies interwoven with the pearls of wisdom that can only come from experience.



Front woman Kim Drake, is exactly who you want to see and listen to. The animal rights activist sings from the heart and voices her light to topics such as: the state of the world today, relationship break-ups, suburban life, frenemies, positive intentions, etc... that make you want to forget the dramas of everyday existence and roll out to the beach in her Camero.


The rocking triad also combines their visual creativity and shot their own music video for "Stolen Flowers" on Kim's Mark II that can be seen at www.theshuttermusic.com. Keep a look out for "The Shutter" at a venue near you.

Sunday, 17 April 2011 20:04

Tattoo Art: Reverend Fish

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“Nice ink, where’d you get that it done??” It’s a sentence that hopefully all of us who have ink hear at least a few times in our body art careers. Since my first encounter with Rev. Fish, that question has become all too familiar for me. Working out of Whole Addiction (located in Coral Springs) the man has been using his god given gifts to paint up the town since February 2003. At the time the shop’s owner, John Miller, won a legal tug of war with the city in order to open the first legitimate tattoo studio in the area. Reverend Fish hit the ground running, executing Coral Spring’s first tattoo with quickness and still going strong today.

 

When you think of a hardworking family man with a military background, this tattoo artist isn’t what comes to mind. But don’t let the ink fool you, underneath his tatted exterior lies an intelligent artisan whose dedication to his craft is peerless. While working full time in the Navy Fish became an apprentice in 1993 and continued his artistic education every way possible. Stored between this man’s temples is the cumulative knowledge of 17+ years of attending seminars, workshops, and going over texts. His work station is a testament to his personal history, sitting next to his chair is a small personal library containing the most referenced works of his.“I love doing many different styles of tattooing including fine line Black & grey realism such as portraits, bold new school color work, and traditional Japanese-style tattooing.Although these are some favorites, I can do whatever you like, whether it is super-detailed biomechanical to super-simple traditional American tattoos.” Fish is the shit, if your considering getting a tattoo, it should be done by him. Nuff said.

I recently posted an article on the ARTISTOCATS forum asking “Whats wrong with the south florida live music scene and what can we do to fix it?” Too much can be said. Sure we can sit here pointing fingers saying it’s so-and-so’s fault, or we can make this a positive learning experience. I am writing this now to give some free pointers to you bands out there. Yes, some of this is obviously common sense, but believe it or not, some of you bands need this. So pay attention!

 

#1. Practice. If you have to play with sheet music on stage, you have no business booking a gig.

 

#2. Bring Someone. If you can't bring at least, MINIMUM, one person per band member to come see your band play live, don’t bother booking a gig.

 

#3. Promote Yourself. If you think it's the promoter’s job to promote your band, don't bother booking a gig. Yes, it is the promoter’s job to promote the event, but would you really rely on someone else to do it all? Wouldn't you want the best show possible and to play in front of as many people as possible, including your own friends, family and fan base? Be your own promoter. Music is equally art and business.

 

#4. Style. Seriously. Put some effort into how you look. You might not be Brad Pitt, but you should respect your fan base enough to run a brush through your hair, at least. You can have style without looking like a poser. You don't have to be a model. but whatever you do, make it unique. Make it YOU. (Personal Tip- Guys with eyeliner=HOT. Guys with Glitter=HOTTER).

 

#5. Develop a stage show. Your front man should have charisma and the whole band should have a chemistry that shows. Anyone can stay home and listen to a CD or the radio. When they go out to see a live band, they want to see a SHOW. Give 100% for your performance, every time!

 

#6. Play and STAY. Shows are your best networking opportunity. Far too often bands show up right before they play and leave right after, giving no opportunity for people to come up and say "great job, when can I see you again, do you have a CD, etc". You might have lost a big opportunity with local media or a label scout. Plus, if you support the other acts on the bill, they'd be more inclined to stay and support you as well.

 

#7. Get involved in your local music scene. The more you know about what’s going on, the more opportunities you will learn about. Make friends with other bands so they'll support you. It's very common at shows that the majority of the audience is made up of other local musicians. Make contacts and find out who the good people to know are and who you should probably stay away from.

 

#8. Know Your Fans. Pass around a mailing list at your shows. Keep in touch with people by sending emails announcing future shows. Include news about the band, picture's, maybe even a free download once in a while. Most importantly, make sure there IS news to announce. Make your band sound interesting by announcing newspaper or magazine articles, videos, awards, anything. If you have nothing to announce, no one will remember you or care about you after awhile.

 

#9. MERCH! Demos, CD's, T-Shirts, Stickers, and Buttons - Anything with your bands name on it. You are nothing until you have something tangible for people. You should really develop a recognizable logo. Free is always good for the crowd, but you should always give value to your product, so giving things away for free should be limited. How often have you been given something for free and just tossed it, figuring its crap? How often have you given away your CD's just to find that people leave them lying around? That’s because they assume there's no value to it. Save the freebies for specials friends and fans who you know will appreciate it and to media who could help further your career. If you really want to give things away free, just to get them in some hands, do a CD release party or some type of special event for that reason. Got New Shirts? Make a deal such as "buy our CD and you get a free t-shirt!".

 

#10. Physical and Electronic Press Kits. You should have them ready to mailed out or emailed at any given moment’s notice.

 

Stay tuned for next issue where I will discuss exactly what should be included in your press kits!

 

For More on Queen of The Scene -
~* www. QueenOfTheScene .com *~

South Florida's Local Music Scene Website

www.QueenOfTheScene.com - www.Myspace.com/SFL_QOTS

Sunday, 17 April 2011 19:44

Tattoo Art: Colors of Mayville

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“Colors of Mayville” -

Uber conservatively raised Maytee Bringas, 36, did not bat an eye at 22 when she got her first tattoo. “It was something off the wall but I’d been yearning for a tattoo since the age of 15,” recalls Bringas. “Once I had it, I was hooked.”

 

Fourteen years later and nearly fully tattooed, Bringas’s enthusiasm for tattooing hasn’t waned. In fact, her keen eye for design and color has led her to expand her tattoo skills to the world of art and fashion.

 

In 2006, Bringas launched Mayeville, a print collection of colorful and lighthearted girlish illustrations. These Sanrio inspired designs are both, irreverent and innocent, playful yet sexy – qualities which are completely reflective of the artist.

 

“My art is cute and bubbly,” explains Bringas. “Mayeville is a delusional world full of sweet characters. I use simple bold lines with lots of color, like Hello Kitty – I love to draw this type of art.”

 

Through Mayeville, Bringas hopes to further develop the brand by developing a clothing and accessories line.

 

Bringas credits husband Phat Joe, of famed ink spot, Phat Joe’s Tattoo Parlour, with encouraging her to explore her artistic instincts. As co-owner of Phat Joe’s, Bringas honed the artistic inclinations long buried from her days as a youth at Hialeah Junior High School.

 

“I was surrounded by art and it re-sparked my need to draw,” says Bringas. “I’ve always been an artist. I didn’t do anything or pursue it until I met Joe because I didn’t think it was hot.”

 

Clearly, Bringas’ playful illustrations are hot and in demand.

 

“I love what I do. It will never get old,” asserts Bringas. “This is my lifestyle.”

 

For more on Mayeville, visit Bringas at www.mayeville.com or at This email address is being protected from spambots. You need JavaScript enabled to view it. .

 

 

In Fort Lauderdale there is a sanctuary for artists lucky enough to survive a year long waiting list known as the Sailboat Bend Artist Lofts. In this low-rent "wonderland" (as this writer deems to portray it) lives a visual pop artist, who paints smirks on all who lay eyes on her witty candy colored images.  Her name is Lisa Bulten Rockford, a graduate of the esteemed Art Institute of Chicago, who upon completing her Masters launched headstrong into the competitive arena of fine art. In prolific fashion she exhibited all across the nation before settling in South Florida as an instructor at Broward College in 2006.  She draws inspirations from both her loving parents who in one way or the other, shaped her art today.

 

A series entitled "Barbie Magic Reveal" are humorous illustrations much in the style of your supermarket "Coloring & Activity Books" made for children (and some strange adults).  It exhibits her playfulness yet engaging deconstruction, and reconstruction, of familiar pop images and content.

 

3 Floors of 1310 Gallery will be covered in her work from Jan. 16th - Feb.12th 2010.
2 Distinct Painting series will survey the portrayals of gender and romance.
Only 1 Twist - That it will be a TWIST.  Yeah, that's the name of this wonderfully twisted exhibition of art coolness.  You simply must put your mind in a TWIST @ the 1310 Gallery, Sailboat Bend Artist Lofts, 1310 SW 2nd Ct. (Middle St.), Ft. Lauderdale, 33312. Admission: Free & Open to the Public

Sunday, 17 April 2011 19:00

Music: DJ Fono

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There is an emerging Palm Beach collective of talented MC’s that have been running musical mayhem.Dj Fono is the eye of this storm. His company Roundabout Records has been behind the production of many of our local talents including Dino Ferrari, J Saavy, Cat Shell and many more.

 

But Fono is not a just a DJ; he is a musical entrepreneur and has been blessed by a keen sense of the hustle. He makes his rounds down the east contour of our gun shaped state, lighting life on the dance floors of many of our favorite local venues. One may say it’s in his blood, and one may be right. Fono’s father was a DJ who passed down the finger cutting genes to his two sons. Early on in his childhood Fono was groomed for music. While most 16 year olds were scrubbing toilets at McDonald’s, Fono was already getting his DJ career started working for an audio-mixing company in Boca Raton known as R&R Dj’s. A lover of beats and sound, DJ Fono brilliantly pounds away silence with his repertoire of Hip-Hop, Dancehall Reggae, Drum & Bass, Electro-House, Dubstep, Funk and Soul.

 

CSKA, one of Fono’s latest progenies has now hit the streets with a new single “Drop Down” which has the astute producer’s electro funk grooves all over it like fingerprints in a crime scene.

 

And what good is a DJ without an online Mix Show? When the hour strikes 8pm, jump on to www.DJFono.com and catch Roundabout Radio where DJ Fono spins hits and features Live Guests from the local South Florida Music and Art Scene.

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